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Part one of a new series, this week’s edition of At Water’s Edge started out as a single, mono, rough field recording of Mojave desert ravens, with a few dogs barking and a distant train, along with a reading of Poe’s “The Raven” and some vocal lines recorded by Rebekkah Hilgraves.
We put out the call to ambient artists to see what people would do with it, and the response was amazing. More than 20 different ambient artists from around the world took the rough recordings and added their own inimitable marks, and the project expanded to a many-hours-long series.

Part two of a new series from At Water’s Edge and Radhaus, we continue the “Nevermore” tracks..

Mao hat geschrieben:Es geht um Musik zum Zerfließen im Unaussprechlichen.

Psychedelicious hat geschrieben:Klaus Schulze hat zusammen mit Pete Namlook die "The Dark Side of the Moog" Serie rausgebracht, auf jedenfall ein Stück elektronische Musikgeschichte und echt hörenswert. Sind 11 CDs....

Yagé hat geschrieben:Klaus Schulze hat sehr psychedelische Musik gemacht. Gerade der langsam aufbauende Charakter seiner Stücke kommt da sehr gut. Dieses Stück erinnert mich immer an meine Salvia-Zeit:
http://www.youtube.com/watch?v=HRSOlj5LVoc

Man Of No Ego (Dimitar Petrov) is a music producer based in Sofia, Bulgaria, who focuses on sharing knowledge through music. Web Of Life, his first major release, follows the 432 Hz tuning principle and features extensive samples from the great Alan Watts. These messages contain universal truths that should be spread as much as possible. The style is sublimely smooth downtempo and ambient with influences ranging from Pink Floyd to Carbon Based Lifeforms and rock to electronica.